Но ему удается бежать. Евгений Нестеренко ("Борис Годунов"), Борис Морозов ("фестиваль"), имя Синявская ("ИванСусанин") в спектакле Олега Моралева "хан Игорь". 1185 время. конек Игорь со своей дружиной изволь на половцев, сильно разоряющих россия…В жестоком неравном бою гибнет отряд, князь ранен и пленен врагом. недавно он в родных местах, вновь пленение решимости собрать дружина и дать решающую битву ненавистному врагу..

Cajus - Piero De Palma Bardolfo - Anthony Laciura Pistola - James Courtney. "A milestone in the history of operatic production in this city" - New York Herald Tribune"This Met ensemble, oil lively and convincing actors, works splendidly together... Plishka's Falstaff is a highly effective piece of characterization... Levine conducts Verdi's magical score with warmth and great brio" - Opera.Opera In Three Acts Sir John Falstaff - Paul Plishka Ford - Bruno Pola Fenton - Frank Lopardo Dr. Freni is a delightful Alice, Graham makes the most of Meg, and Home clearly enjoys herself as Quickly... Bonney and Lopardo present the young lovers elegantly.

KiriТе Kanawa leads the comic cast with her celebrated portrayal of Rosalinde, Hermann Prey as Eisenstein, Hildegard Heichele as Adele and Benjamin Luxon as Falke. Placido Domingo makes an inimitably stylish British conducting debut: 'Under him... Strauss's zestful, tuneful comedy fizzes along like musical champagne'- DAILY MAIL. The stage designs by Julia Trevelyan Oman recreate all the style and opulence of the Viennese Belle Epogue in this highly-acclaimed New Year's Eve performance from the Royal Opera House, Covent Garden. In this performance of Die Fledermaus, which The Daily Telegraph hailed as 'a summit of escapism', an international array of talent combines to perform one of Covent Garden's most glittering productions. Act I-III. There are some surprise celebrity guests at Prince Orlofsky's special gala performance party including Hinge and Bracket, Charles Aznavour and Merle Park and Wayne Eagling in Sir Frederick Ashtnn's specially choreographed pas de deux.

Seine Auffuhrungen gelten als makellos und einzigartig in Inszenierung, Technik, Umsetzung und Interpretation. It involves first-class musicians, many of whom are winners of international competitions and teachers of musical institutions. Das Bolshoi - Ensemble ist Stolz unci Aushangeschild der russischen Kultur. Zum Orchester gehoren Weltklasse-Musiker mit internationalen Auszeichnungen und solistischen Erfolgen. Diese Produktion der "Giselle" aus demjahre 1975 zeigt die Musik von Adolphe Charles Adam, vorgetragen vom Orchester des Bolshoi Theaters mit den Solisten N.Bessmertnova, M.Lavrovski, G.KozlovaBolshoi orchestra is the pride of Russia's performing culture. Its performance is marked by faultless technique and the finest sense of ensemble. The Bolshoi choir performance is highly successful and it forms an important element of any ballet..

Superstar tenor Juan Diego Florez in his signature role as the Prince, and American star Joyce DiDonato in the title role, lead an outstanding international cast in Joan Font's witty and dazzlingly colourful production— filmed "live" at Barcelona's Gran Teatre del Liceu.. Fizzing with operatic brio, Rossini's ever-popular setting of Cinderella tells the much-loved tale through spectacular arias and irresistible ensembles.

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Opera In Three Acts Samson - Placido Domingo Dalila - Olga Borodina Grand-Pretre De Dagon - Sergei Leiferkus Abimelech - Richard Paul Fink Un Vieillard Hebreu - Rene Pape Un Messager Philistin - Charles Anthony.

In the early 1960s two artistic giants, conductor Herbert von Karajan and director Franco Zeffirelli, joined forces to create this milestone production of Puccini's masterpiece at Milan's Teatro alia Scala. Filmed in that legendary opera house in 1965, with Zeffirelli himself directing for the cameras, this "Boheme" has been acclaimed universally for its unique theatrical impact and visual splendour. Starring the young Mirella Freni in her career-making performance. Opera In Four Acts Mimi - Mirella Freni Musetta - Adriana Martimo Rodolfo - Gianni Raimondi Marcello - Rolando Panerai Schaunard - Gianni Maffeo Colline - Ivo Vinco Benoit - Carlo Badioli Alcindoro - Carlo Badioli Parpignol - Franco Ricciardi.

The impeccable technique, the expressive body, the intellect, the informed face; yet Uianova has something criticism could never define, something you might look for in Shakespeare's sonnets.". 14 Polonaise and cracovienne: fram Giinka`s A life for the tsar Walpurgisnacht: fromGounod`s faust The dying swan: after Saint - Saens' The Carnival of AnimalsPaul Czinner's Osear - nominated film, indispensable for ballet lovers, records the Bolshoi's 1956 London visit -featuring the legendary Galina Uianova as Giselle and the "Dying Swan".In Dance Magazine, critic Clive Barnes eulogized the artistry documented here: "Everything the Russian critics have written about her is true. Dance of the tartars: from Asafiev's The Fountain of Bakhchisaray Spanish dance: from Tchaikovsky's Swan Lake Spring waters: after Rachmaninov's song from op.

The brilliant Croatian countertenor Max Emanuel Cencic plays Nerone's rival for Poppea's love, Ottone, while Nerone's discarded wife Ottavia, is sung by the Italian mezzo soprano Anna Bonitatibus, described by Forumopera as "an incandescent Ottavia who vouchsafed a superb example of singing and of theatre".. Performed in a new edition of the Venetian version of the opera by the musicologist Jonathan Cable, Poppea features a starry cast. Playing the upwardly mobile temptress of the opera's title is the glamorous American soprano Danielle de Niese, who, in the words of the New York Times, is "seductive enough to woo gods as well as mortals". It took Christie and director Pier Luigi Pizzi three years to mount Monteverdi's three operas together. In an interpretation described as "overwhelming" by El Pais, the capricious Emperor Nero (Nerone) is embodied by French countertenor Philippe Jaroussky. The result was a production full of elegance and beauty. Leading the cast are Danielle de Niese, Philippe Jaroussky, Max Emanuel Cencic and Anna Bonitatibus. William Christi, who most recently started 2012 at New York's Metropolitan Opera, conducting The Enchanted Island, is joined by the Les Arts Florissants as he evokes a veritable orgy of nuances, subtly creates atmosphere and shows a perfect sense for the accents of the piece. The culmination of a three-year Monteverdi project led by conductor William Christie and direct Pier Luigi Pizzi at Madrid's Teatro Real, L'incoronazione di Poppea brings a potent blend of sex and politics, high drama and comedy.